NYT: A New Day (Spa) in Burma

New York Times: Vain Glorious
A New Day (Spa) in Burma

By Julie Earle-Levine

Who: Inya Day Spa, Yangon (Rangoon), Myanmar.
What: Thai massage, reflexology, body scrubs, facials, manicures and pedicures.
Where: 16/2 Inya Road, Kamayut Township; (95-1) 537-907; inyaspa.com.
Why Bother: In Myanmar, where tourists are just starting to venture as the country moves toward democracy after decades of military rule, Western hotel chains are scarce and spas really don’t exist — until now, that is. Yangon’s first day spa is attracting Burmese women (and even some men) as well as expats and tourists.
Let’s face it, in a country where women still wear thanaka (a white paste on their faces made from ground bark, to protect and condition their skin from the sun), it’s difficult to get Western products. That doesn’t mean people don’t want them: a used (that’s right — someone else’s!) Chanel lipstick is a precious find.
At Inya Day Spa, the facialists use French products (Thalgo), and the treatments are Thai influenced. Damian Lau, who is from Seattle, and his Burmese wife, Michelle, saw a need for a “nicer,” more Western-style spa. Inya is named after the bustling road where it is located and has simple décor with four private rooms, Thai massage beds and a nail salon. (The spa just started doing gel nails and uses OPI American polishes.) Inya’s signature spa product is a natural body scrub, in green tea, jasmine rice, papaya or tamarind. The papaya smells heavenly.
Inya is not luxe, but it is a sanctuary amid the streaming traffic — and a temperamental taxi with no air-conditioning and a flat tire! I arrived drenched in sweat to a cool, welcome retreat. You enter reception, then walk across a pond filled with hundreds of koi and surrounded by lush green palms. First stop is the new Boost Bar for fresh smoothies and juices. Try the Boba Berry, a thick smoothie made from blueberry, apple and banana. Guests change into plum-colored knee-length Thai sador pants, tied high above the waist. (You keep on your own shirt.)
I went twice: once for massage, once for reflexology. The basic massage was deep, hitting all my acupressure points, and I dozed off, my calves (made weary from temple-step climbing) melting into a relaxed state. The staff is Burmese, but Thailand-trained, since getting visas for Burmese to leave the country is still tough. The election Sunday of the longtime pro-democracy dissident Aung San Suu Kyi may change things, of course.
In the nail salon, Japanese men were sighing as their calves were pummeled. A British banker was tip-tapping away on his laptop. The spa has free Wi-Fi, which is a big plus since Internet service in Myanmar is sketchy at best.
Bookings can be hard to snag on the day. Lau plans to open a second location on the fourth floor of the Junction Square Shopping Mall, about a 10-minute drive from the current location.

How Much: Thai massage, about $20 for 90 minutes;Thai foot massage, about $10 for 75 minutes.

UK Vogue: IM Pei, The High Priest of Modernism

By Julie Earle-Levine

Photograph by Sacha Waldman

UK Vogue, GQ, Tatler
August 2009


Ieoh Ming Pei, commonly known by his initials, IM, is dressed in an immaculate grey suit, signature tortoise shell glasses magnifying bright eyes. The renowned Chinese-born American architect, who is 92, extends a firm handshake and beams energetically. He is just back from Paris. “They put on a little party for me because it was the 20th year of the Louvre pyramid,” he explains.

Pei’s Grand Louvre glass pyramid project is regarded as one of his greatest achievements. ““It was a very emotional trip for me. Twenty years! “

Pei’s entire life has been a remarkable journey. At 17, he left China for the US where he would study at Harvard and then work as an architect, designing more than 50 buildings, all over the world. As a young architect, he was selected by Jackie Kennedy to design the JFK National Library in Boston. He would later design the East Building of the National Gallery of Art in Washington and earn the Pritzker Prize in 1983. The jury said he had given this century some of its most beautiful interior spaces and exterior forms.

When asked about his career, Pei cites the Louvre and the Museum of Islamic Art in Qatar, that opened last year as among his most important work. But he admits this is a difficult question to ponder in a 70-year-architecture career. “It is like a man with many, many daughters. Which is the prettiest? Which is the one I like best? I can’t say, but these projects are of interest to me and also of great interest to the world.”

The Islamic museum was tipped to be his final project. “Did I say that?’ he laughs. “Well, it is a project I had not expected to do. Now I know more because I really entered into it out of curiosity. It was a wonderful opportunity for me to learn bout Islam, which is a great religion.” The Suzhou Museum, in his hometown in China is also important, he says, since it is where his family comes from.

Any regrets? “I would have liked to have done more houses. I am not known as a house architect but I would have liked to have done more.” In New York, he designed several highly regarded housing projects, including Kips Bay Plaza, and Silver Towers in Greenwich Village, which was recently landmarked.



Im Pei’s latest project, with his son Sandi Pei, is The Centurion, a modern, glass condo building in mid-town Manhattan. Sandi and his brother Didi are also architects and launched their own company, Pei Partnership Architects in 1992, after working in-house with Pei.

Pei’s eyes twinkle when he talks about New York. “I was educated in Massachusetts. I used to say Cambridge and Boston. No longer, it is New York, New York, New York!”

Pei may be a New Yorker, but he is a citizen of the world. Is there anything the last master of high modernist architecture has not yet done, that he’d like to? Pei pauses for a moment and sighs. “I would like to have been a painter. That is my secret.”

www.ppa-ny.com
www.centurioncondominium.com

Weekend FT: Nicaragua's Carlos Pellas

By Julie Earle-Levine

Carlos Pellas owns Nicaragua’s Flor de Caña rum distilleries, Toyota and Suzuki motor dealerships, an energy company and banks. The head of one of the country’s wealthiest families, he is descended from Italians who immigrated from the US in the 19th century. A frequent traveller, he has six homes dotted around the world in locations mostly close to the sea, to accommodate his love of fishing. He counts a family weekender in Lake Nicaragua’s “isletas”, reached only by boat with views of lush mountains, as his favourite.

Have you always lived in Nicaragua?

Yes, I was born here. During my early childhood I lived with my parents at our coffee plantation in San Marcos, about a 45-minute drive from Managua. The house was built in 1952 and it resembled the traditional Spanish haciendas. I have the best recollections of those times as there were 16 of us – between my brothers, my sister and cousins – who lived together. There was no TV then, so we rode bicycles and horses, and played board and card games. The home still serves as a weekend retreat for my cousins.

Then you moved to the city?

Yes, we moved to Managua when I was 10. My father built a beautiful house with lacquered Japanese-style doors and gardens with lakes with fish and oriental plants. In 1972 an earthquake destroyed it. I was at a party with my girlfriend, who would later become my wife. The house we were at caught fire. I told her my house was earthquake-proof. She was very concerned for her parents’ home. But it was my house that was destroyed. My parents and sister survived, miraculously. My girlfriend’s parents’ home was intact.

MY FAVOURITE THINGS

Old cards and ancient pots

My boat is customised to make it the perfect fishing machine. It has underwater fishing cameras. I never get tired of looking at the sea. I can spend hours just sitting in the mezzanine waiting for the fish to show.

A coin from Aristotle’s era given to me by my good friend Mike Wood, my roommate at Stanford, as a token of our 35-year friendship.

My top drawer in my closet, where I keep all the cards and notes sent to me by my kids. Frequently I open one and read it again. It brightens the day.

My hammock. I love to lay on it while watching the sunset and enjoying a 12-year old Flor de Caña Centenario.

My Nicaraguan stamp collection. I bought my first stamp 47 years ago, for $1. I own 18 of the first 20 stamps printed in Nicaragua. My collection is probably the only one of its kind in the world.

My pre-Colombian Indian artefact collection. I have more than 100 pieces of ceramic, dating back 1,200-2,000 years.

My wife’s picture when I first met her. Vivian still looks like that first day. It’s an inspiration. We have had three beautiful children together.

What about school?

I went to prep school in Woodside, California. It was my first time away from Nicaragua in a whole new world where I didn’t even understand the language. It was a great experience. Later, I attended Stanford [University], where I obtained my bachelor degree in economics and later on my MBA. During all these years I would come home to Nicaragua at Christmas and in summer, when I would go to the sugar plantation and the Flor de Caña distillery to work. Ironically, summer vacation was harder work than college.

Why is the isletas home your favourite?

It’s beautiful and peaceful. My family owns an island called Abuela Nena’s Island [Grandmother Nena’s Island]. There are mango and coconut trees, a domesticated white heron and two native parrots. My parents built a home that blends with nature in a very special way. It is a ranch that is made from local wood. It’s nice to sit on locally made, wood rocking chairs and hammocks right by the pool. We have another house there, too, which is two storeys with a balcony that overlooks the lake. The island has belonged to us since the early 1930s but it was confiscated by the Sandinistas in the mid-1980s. It was not until the mid-1990s that we got it back and began our building plans. My mother’s idea was to build a place where she and my dad could spend time with their children and grandchildren and enjoy the serenity of the lake and the beautiful view of the colonial city of Granada. That’s what eventually got her to rename the island El Descanso, which means “the resting place”. The views are amazing. On one side of the island you can see the Mombacho volcano and the city. On the other side is Lake Nicaragua, with its two volcanoes that are islands in the middle of it. The lake is so big that in some parts you cannot see where it ends and land begins.

How do you buy one of these islands?

Often by word of mouth. There are more than 360 islands, so sometimes there will be one for sale.

How often do you go to your island?

I try to go whenever I can. It is my favourite place to entertain my most important guests and closest friends who visit from other countries. I also love to spend time there with my children, brothers and nephews.

What about your main residence?

My home in Managua is where I have lived since 1978. It was meant to be a ”transition” home while I built my permanent home. But the Sandinista revolution changed those plans. As our family gradually grew, my wife and I decided not to move. I would best characterise it as a home in the city that makes you feel you are in a private resort in the countryside. It’s full of open spaces and has a pool, a cabana and a tennis court. Many trees are now close to 30 years old, which provide an ambience difficult to duplicate. I also have a beach home in San Juan del Sur, where I love to go on weekends when I am not fishing from my home in Tulemar, Costa Rica. The seven-bedroom house is right on the beach and it has a Caribbean feeling.

And your other homes?

My home in Manuel Antonio, Costa Rica, is in the middle of a plush rainforest that serves as habitat to three different families of monkeys. The terrace is as high as the top of the trees, which makes you feel like you are flying on top of them. It is secluded and close to the best billfish action in the world. Deep sea fishing has been my passion since I was 13 years old. I have released over 1,500 sailfish and more than 300 marlin. I own a home on the San Juan river, close to an orange plantation where I am a partner. It’s more like a lodge, with great views of the river. My son Eduardo, 22, is the one who enjoys it the most as he is a keen tarpon fisherman. I also have an apartment at the Four Season Residences in Miami. It’s on the 55th floor and has a spectacular view of the port of Miami, the bay and Key Biscayne. My wife Vivian loves it for the privacy – no maids, no drivers, just us.

Weekend FT: Elemental Architecture

March 21, 2009

By Julie Earle-Levine

Architectural designer Todd Shultz searched for more than a year to find the perfect wood for his client’s basement wine room. The heart pine he found in a cotton mill in Eatonville, Georgia had a golden colour, tight growth rings and blue veins – signs of its authenticity and age.

But when the client saw the beams, he was horrified. “He was like: ‘What are these dark black marks? Can you get rid of that?’,” Shultz recalls.

It was only after the man heard about the wood’s history – the marks were caused by a rare mould that had formed in the tree more than 200 years before – that he became enamoured with it.

The story is a familiar one to Richard McFarland, who co-founded California-based TerraMai, a reclaimed woods company, in the 1990s. Homeowners appreciate the aesthetics and eco-friendly credentials of his products, he says, but mainly “it is the story behind it that they fall in love with”.

Finding the wood, processing it, then building from it can take years. Once a source is located, the beams are photographed and their history researched. Every piece is sorted, cleaned, graded and then de-metalled and possibly re-milled. “The first reaction of someone is: ‘There is a lot of damage to this stuff’. But once it is re-milled and the spike holes are plugged, the overall effect is stunning,” McFarland says.

He says about half of TerraMai’s projects are residential, including houses in Florida, New York’s Hudson Valley, Nevada’s Lake Tahoe and Aspen, Colorado. The wood is not cheap; flooring made from 100-year-old exotics sourced from as far afield as India, South America and south-east Asia cost about $15-$25 per sq ft, about 30 per cent more than floors made from new or “virgin” wood.

But McFarland insists that “people will pay for quality”. “Because it is reclaimed, old-growth tropical hardwood – among the hardest wood on the planet – will last much longer,” he says. “With proper care, these floors can last generations”, compared with about 20 years for just-cut alternatives.

Plus, the reduced environmental impact cannot be ignored. “With every foot of reclaimed wood, you are offsetting destruction of a forest.” Yes, there is a carbon footprint in securing the beams, he acknowledges, but specialists say it is insignificant compared with cutting down new trees.

Shultz grew up on a farm, where he was taught to recycle everything. “You didn’t tear down a barn because it was 100 years old, you painted it and fixed it,” he says. “Nothing makes me sicker than seeing a dumpster full of wood. I’m the one pulling up my truck and grabbing the stuff.”

Any surplus wood goes back to his studio to be repurposed for other projects, he adds. “It is not really for cost. It’s for karma.”

Jim Ruig is another reclaimed wood specialist whose business, Australian Salvage, harvests wood from old wharves, French oak wine barrels, old buildings and industrial factories. His first purchase was 10,000 tonnes of wharf timbers, which took 400 semi-trailers to deliver to industrial land he had bought on Brisbane’s outskirts.

But since then demand has been strong. He recently sold A$3.5m (£1.6m) of reclaimed wood to actor Hugh Jackman for his health resort on Queensland’s Gold Coast and outfitted singer Jack Johnson’s seaside home in Byron Bay. He also works with developers eager to add complexity to their building interiors, as well as exporting to the US. Clients choose from a “menu” of recycled timbers, including native blackbutt, spotted gum and ironbark, then decide the finish – raw, lime washed, oil, smoked or antique.

Given the popularity of reclaimed wood – more than 40m board feet is sold a year in the US, five times the amount sold a decade ago – some are concerned about supply. But McFarland is not one of them. “Yes, it is a limited resource but the timber will be recycled again,” he says. “There will be new stories to tell – so many lives from one tree.”

ends

Vogue UK: Ivanka Trump

Blonde Ambition
Vogue UK, GQ, Tatler, House & Garden Living
January 2009

By Julie Earle-Levine


IVANKA Trump, daughter of America’s real estate mogul, ‘The Donald’ takes long, stork-like strides towards me, her sky-high legs in six-inch heels gliding gracefully, her mouth slightly pouty, leaving a trail of remarkably shorter assistants in her wake. After all, Trump was a model before she realized her real estate ambitions.

The 26-year-old blonde has the impressive title of Vice President of Acquisitions and Development at the Trump Organization, in New York. She regularly appears in magazines offering tips on topics including ‘How to Be Rich, Sexy and Famous,’ but this Wharton graduate takes her career very seriously.

Trump is involved in 70 plus projects in the US and offshore, that require her to jet around the world, and to oversee meetings in the boardroom and on construction sites. How is she received? “Somebody may dismiss me because I’m young, blonde or female, but that can be used to one’s advantage,” she says, gazing coolly over her very large latte. Those close to her say she is also a fierce negotiator. “Ivanka holds her own in any meeting and what you see - a beautiful young blonde - is not what you get,” says Dolly Lenz, the top broker in America.

As a child, Trump spent some weekends on construction sites with her father or grandfather, often on a dump truck and she says she loved it. Some believe she may grab the top spot if her father ever hands over the reigns of the family’s real estate empire. Ivanka has two brothers, Donald Jnr, 30, and Eric, 23, who also work for Trump. She joined Trump in 2005, after working for developer Bruce Ratner on a large, mixed use shopping centre. “I wanted to get a sense of my self-worth and what I could accomplish, with or without my last name.”

It was not until she started working for her father, her “greatest mentor” that she really dug her heels in. “He has always pushed me to think, and dream bigger and bolder.”
In an interview in her 25th floor office with soaring views of Manhattan’s skyline and surrounded by photos of her family, layouts of a new development, and a thick manila folder marked with a long ‘to do’ list, Ivanka explained how her father convinced her to come on board. “He would send me renderings of the Trump Chicago project with a note – you could be working on this. Chicago was the siren call.”

She insists she is not just the pretty face in advertisements, but is involved in evaluating deals to pre-development planning, construction, marketing, operations sales and leasing.

What is she working on these days? Other than Chicago, Ivanka is spearheading a push by Trump to manage more of their new hotels. There are more than a dozen in the pipeline that are based on a template of Trump’s Central Park West property, including Las Vegas, a 1300-room hotel opening in March and a Fort Lauderdale, Florida that will open in January 2009. Offshore, there is Toronto, Cap Cana in the Dominican Republic, the just-open Istanbul Trump Towers complex in the city’s Sisli district and Dubai, a 61-story building and units. Trump also has its first project in Europe under way, in Scotland that will include a 450 room, five-star hotel, plus 500 single family homes, holiday homes, golf villas plus a golf course. Trump says she spends time on all of these but recently has been particularly focused on opportunities in China. “I have been going to China and meeting there with the ‘Donald Trump’s’ of those areas. It is a very important market and we want to do it right.”

Which brings us to a controversial project, Trump Soho, a 46-story building that has had a construction worker death, and upset locals who don’t like skyscrapers. It is five times the height of any building around it. Trump is naturally defensive. “There is a certain tone in the city due to a number of real catastrophies that are happening on a monumental level. We are being very cautious, and expect an elevated level of commitment to safety. We are certainly not exempt.”

She believes that Trump Soho is in fact “a great example of doing it right.” It is commanding $3,000 a square foot – top dollar – in a recession hit market. Some say the Trump brand has added $1,500 a square foot value. Trump said it is because there are 360 degree views from every floor with a hotel unit, and an amazing top floor penthouse. “It is very, very cool, Rockwell design.”

At a press conference with her siblings Trump emphasized that the company has an extremely solid track record, unlike many developers with no experience who were “just doing stuff” “We are building great hotels and now we are ramping up our hotel management position in the past two years. It has to be great. We can’t have failure.”

In August, Trump said that the building was about 57 per cent sold, mainly to European and South American buyers. The remainder are Americans, who want a chic pad in the city when they visit.

The ads for Trump Soho, plus others recently including Trump Ocean Club in Panama where she spills out of a strapless black evening dress wearing her jewelry (yes she has her own brand) are Trumpish, showcasing the biggest and best of everything you can get.

“I was part of marketing effort to appeal to a younger, more hip crowd.,
says Ivanka, who does live in a Trump building, but will not live in Soho. “I’ll be spending a lot of time at the Soho property because there is a great spa and restaurant.” The building is trendy, but elegant. “Really there is nothing five star downtown. You can stay at the Mercer – it is a great hotel but you are sacrificing amenities and space. It you are staying at Trump uptown, the difference is phenomenal. The views we are offering are not typical of the area.”

Sales are strong, she said. And what of the recession that is finally affecting even luxury real estate in resilient New York? Is the luxury property boom really over? In true Trump form, Ivanka says, “The world is changing. This brings both opportunities and challenges.”

ends

Lifestyle: UK Vogue, GQ, Tatler - Ian Schrager

Studio 54 made him famous but Ian Schrager's latest project may be his crowning achievement

By Julie Earle-Levine
September, 2008

HE has been called the ‘King of Cool’, an arbiter of great vision and taste, ‘master of the ultra-hip hotel’ and a swashbuckling developer, but ask Ian Schrager, dapper in an Hermes pinstripe suit, where this style comes from and he shifts uncomfortably.

“I am not sure where this style comes from. I am not even certain I have good taste,” says Schrager, in a raspy Brooklyn accent.

Few would agree. Many would assert that Schrager not only has impeccable taste but that he creates it. Schrager, whose tanned skin and broad smile defy his 61-years, has spent nearly half his life creating spaces for the rich and famous to flock to, including boutique hotels in London, New York, Miami and LA. He has a colorful past. Of course Schrager was most famous for opening Studio 54 in Manhattan, once the world’s hippest nightclub where Bianca Jagger celebrated her birthday by riding half naked through the club on a white horse. He has also served 12 months in jail for tax fraud, where he and his friend Steve Rubell came up with the idea of a boutique hotel business. Four years later, Morgans, the world’s first boutique hotel opened in New York and the duo went on to open a string of hotels including the Royalton, Philippe Starck’s first-ever hotel project. Schrager’s new talent is combining hotels with high-end residential properties for the very, very wealthy.

When it comes to stunning buildings, New York has many, but Schrager’s second residential project, 40 Bond in downtown Noho, resonates with style. Designed by Herzog & de Meuron, the architects best known for Tate Modern, the 11-storey building is a modern take on the neighborhood’s cast-iron architecture. The exterior is cast entirely in greenish Coke bottle glass that glistens when the sun strikes it. Inside, there are wide-plank Austrian smoked oak wood floors, 11-foot high ceilings, fireplaces and envy-inducing outdoor terraces. Ricky Martin has bought here, as has Mario Testino. Schrager will live in the three-storey, 8,500-square-foot penthouse.

Schrager has been doing business in his mobile office – a black Mercedes - then walks in to greet me. He shakes my hand but is looking at the wall where he has spied a light fixture is not as it should be and demands to know why. I ask him if he is a perfectionist and he says. “Ha. Perfectionist is an understatement.” He might try 30 or 40 shades of white before he picks the right one. He can recognize if a bouquet, which he has decided must be a precise size and colour, is missing stems. “I don’t have to count them.” A potential buyer at the building recognizes Schrager and seizes the moment, asking, if the gleaming, wavy white walls in the foyer are plastic. Schrager’s face tightens, but the man who some say will simply walk away if he doesn’t like what he is hearing, just replies: “It is Corian marble.”

Schrager says he is actually very shy and does not like to be photographed. But once he warms up, he is charming, his conversation a steady stream of topics. Boutique hotels, Lifestyle apartments, concierges who will cater to how we live. His ideas stem from his roots in the nightclub business where he developed the production skills for acting on creative ideas. “Out of necessity I had to do these big productions and parties and the success or failure of what I did was really predicated on how exciting and magical you could make the space.” This thought process translates to hotels and to residences. “You get an idea, you try and realize it, you build it. It is exactly the same.” He is an avid reader of magazines and hunts the streets of New York for creative, individual ideas.

After leaving the Morgans Hotel Group in 2005, he developed his namesake, Ian Schrager company. His new focus is on “managing one’s life’ or rather, having someone else manage it for you. Schrager was at his weekend house in the Hamptons where estate managers do everything for you from writing party invitations to hiring a nanny. “I thought this should be applied to city living. City managers can really make your home somewhere you can enjoy.”

Schrager predicts there will be demand across the board for this kind of living, not just by the super wealthy and that it makes 40 Bond a standout. At the time of writing there were just three of the building’s 27 apartments still for sale. They cost $3 to $10 million. He insists the building’s appeal is not just the design, rather the services that come with it.

Schrager has plenty of other projects on his plate. Recently, he signed a deal with Marriott where he will develop 100 boutique hotels for a new brand that will be launched in major cities across the US, South America, Europe and Asia. He is working on a hotel in Miami, plus another high end hotel in that city as well as a sizeable project (a hotel and residences) on Manhattan’s 10^th avenue with developer and friend Aby Rosen He is also looking to close a transaction in Las Vegas and would like to do some more hotels in LA, New York and in London. “Over the next five to seven years I’d like to get to ten or twelve private label hotels and sell it or go public with it. That is the strategy.”

Clearly, Schrager shows no signs of slowing, but his approach is different these days. He works hard to strike a balance with work and family. And he’s spending time on his own immediate environment, 40 Bond. For now his new home is an empty shell, and he doesn’t want to share the specifics other than to say it will be very simple, with most materials from Europe, the woods, marbles and raw finishings. He’d like to keep the rest a secret. “Once something goes mainstream, for me it is over.”

Weekend FT: Dinosaur Designs

'Paintings can be like views'

Weekend FT:

By Julie Earle-Levine

May 31 2008

Louise Olsen is one of the designers behind jewellery and homeware collection Dinosaur Designs. She is inspired by artists such as sculptor Henry Moore and painter Jackson Pollock but also looks to her immediate surroundings for ideas and finds them often at her home in Bronte beach, a seaside suburb of Sydney. She is the daughter of John Olsen, the renowned Australian landscape artist. Her husband and business partner, Stephen Ormandy, is also an accomplished painter.

Do you have many childhood memories of places you lived?

Yes. I come from a family that travelled a lot, because of the nature of my parents' work. My father and mother are both painters. One of my first memories was living in Portugal in a beautiful stone house. My father was working as a chef in a restaurant to support the family while he painted. Then we lived at Watson's Bay in Sydney in a wonderful weatherboard house that used to rattle in the wind.

Was it near the beach?

Very near. My brother, Tim, who now has an art gallery in Woollahra, Sydney, and I would go down to the beach every morning at 6am to swim before school. My father liked to paint in the living room so whenever you walked into the house it was like one big studio. It smelt of turpentine and oil paint, which was wonderful. That was his space. It was quite a big house, with two storeys but that was my favourite room. We lived there until I was about 10.

Where else did you live?

We went to live in a big artists' colony - Dunmoochin, near Melbourne. Clifton Pugh [the Australian portraitist and landscape artist] had a big house there and we had a mud brick-house in the bush. There was no electricity and a pot-belly oven. It was great, like going back to grass roots. There were emus banging on our windows and kangaroos thumping around.

You also lived in another home in the country?

Yes, my parents wanted to live further in the bush and have large studios for work, so we moved to Dural, north-west of Sydney. My parents designed and built the house, with big sliding doors and verandahs out to the bush. It was a very beautiful place in a valley of angofa trees.

Tell me about your Bronte home.

My husband and I renovated this house for a year. This is a place where we enjoy creating, too. Stephen has a studio and I tend to work a lot at a large table with a view of the sea. Having the beach - seeing whales - is just like watching a moving theatre. It is incredible to see them, to feel their energy. It is never the same. It is so amazing. I love the smell of the sea and the salt.

How important to you is a sense of home?

It is good to have a home base but I always think that nothing is for ever. I will always feel a strong connection with where I live and with the nature of a place because that is something that developed as a child. It is important to me to be in a place where I feel I can work and create. With Dinosaur Designs it doesn't really feel like I am working because I love it so much. The business side is work but the creative side is pure joy.

Tell me about the renovations.

We lived here for eight years before we renovated. It was very different and very dark. We really wanted to work on the light aspect of the house. Being by the sea, we wanted the feeling of opening the house up to that and letting the sea in. There is a whole new storey and we have decks that open out on to the sea.

What is your favourite room in the house?

The open kitchen is lovely to work in. On one side you can look at the sea and on the other is the garden. We have lemon, orange and avocado trees. In six months the Australian native gardenia tree will really take off.

Do you collect art?

Yes, I love it. I have mum and dad's and their friends' work. We have art throughout the house. I think paintings can be like views. I like to collect Australian contemporary art.

What objects do you love at home?

We like to collect different things: one item is a sculpture from Milan, a special way of blowing glass where they pour salt in it, so it looks like bubbles. Another of our rooms has surfboards, aboriginal bark paintings and family photos. I'm fond of a picture of my father and me in the bush.

Your company is very conscious of the environment. Did you think about this when you were renovating your home?

Yes, we are a carbon neutral company. We offset our travel, if we travel, by planting more trees. At home, we have a solar expert guy across the road from us who has sun panels he is testing. If they measure up, we will put a set on our roof.

Any tips when renovating?

Get your house blessed. After the house was done, we had this lady come and she did a special ceremony with sage. She used drums and feathers - but, you know, there is something to it. It felt great afterwards.